9/21/18
Objective:
IWBAT evaluate how choices in mise-en-scene effect narrative element of the film
IWBAT revise my analysis to maximize specificity and clarity
Reminders:
The permission slip, MES Test
Film
Craft
Mise-en-scene
Narrative
Results of choices
How do these choices affect these results?
Which choices? Which choices have the greatest effects on these shots? The least?
Scene 1
Dominant Feature
Brad Dupree
Colors stick out (depressing colors)
Subsidiary Feature
Painting is Bland
White name tag center + focus
Depth of Field
Shallow D.O.F.
Brand front + center
Scene 2
Depth of Field
Deep, Empty negative space
Shot angle
Looking down
Screen density
Pretty open negative space
How do these choices develop the narrative object of the film?
Screen density
Show the difference between two offices
The difference in character:
Brad: power
K.S: no power
Shot angle
Looking down on KS
Looking up and Dupree
Color:
Bland
Dead-end job
Strong sentences: mise-en-scene choice develops narrative choice
(In-depth +)Specificity__________________________________Clarity (Understandable -)
Today we as a class look at more about mise-en-scene choices in film and talked about a
picture or scene on the Kevin Spacey film "American Beauty". What we've seen in the picture alone is that Kevin Spacey's character is stuck on a job that he does not enjoy at all with the boss looking all mighty and powerful like a dictatorship and Kevin Spacey has no power or even free time in his job. Then the class put down comments for mise-en-scene examples.
Great details, Finley! Don't forget about the extension!
ReplyDelete