Transitioning into Transitions
Today in class we learned how to identify cuts. In our previous lesson regarding cuts and transitions we primarily discussed the definition of the terms. In today’s class, we learned how to identify these cuts within the film. This is a step up on the taxonimic pyramid, so now that we can identify these cuts we will then be able to analyze it, followed by evaluation. To begin class we reviewed the different type of cuts. He handed out cards with various types of cuts and as groups we defined the terms. Subsequently, we defined the terms as a class using our own words. My group recieved cutaway, match cut, cutting on action, jump cut and cross-cut. On the board we defined the words using our own words as follows.
- Cutaway- similar to the Alfred Hitchcock example where a seen is shown, then another scene is inserted in between then they cut back to the original scene to see the reaction of the character
- Cutting on action- is similar to a cutaway but involves movement on the screen which usually added to increase intensity or tensity within a scene
- Cross-cutting- is cutting between two locations usually used to show a phone call scene such as the scene in Get Out where Chris calls his TSA friend
- Jump Cut- is the type of cut often utilized in a montage where the camera angle is shifted in order to show the passage of time
- Match Cut- is cutting to a scene with the same composition so it will usually involve two characters in two different settings but are in the same position and the same camera angle is used
- Fade- the scene fades to a black screen
- Dissolve- a transition where one scene begins to dissolve while the next begins to materialize
- Smash cut- an abrupt and sudden cut it usually involves going from a quiet and low intensity scene to a loud high intensity scene or vice versa
- Wipe- most well known in the Star Wars films by George Lucas it is where one scene swipes from that scene to the next scene
- Invisible cut- a cut that disguises the cut to give the illusion that it is all one continuous shot
- *J and L cut see diagram
After we identified the cuts we watched the opening scene to Lord of the Rings and identified the different types of cuts within this scene.
In order to connect this to the outside world I identified some of the cuts in a film I recently watched which was Spectre. One of the cuts utilized in the beggining is the cutaway where we see James Bond then we see the helicopter and then we see Bond’s reaction. At about 0:26 there is a smash cut because there is quiet music playing and then it becomes abruptly loud.At 0:50 there are many jump cuts to make the illussion that they are falling a great height from a great distance. Finnally there is a quasi J-cut at 1:39. If Bond had died in this scene they would have chosen a somber minor chord proggression instead they end with an augmented chord which suggests that Bond might be okay before we actually see Bond.
https://www.youtube.com/watch?v=iM0hP-LZIvI
https://www.youtube.com/watch?v=JxP209M1NLg



